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anagnorisis

Subject: Literature

[an‐ag‐nor‐ĭs‐is](plural‐ises) The Greek word for ‘recognition’ or ‘discovery’, used by Aristotle in his Poetics to denote the turning point in a drama at which a character ...

anagnorisis

anagnorisis   Reference library

Chris Baldick

The Oxford Companion to Shakespeare (2 ed.)

Reference type:
Subject Reference
Current Version:
2015

... (Greek, ‘recognition’), the turning point in a drama at which the protagonist discovers the true state of affairs to which he or she had been blind—as with Othello’s recognition that Desdemona had not betrayed him. Chris...

anagnorisis

anagnorisis   Reference library

Ronald W. Vince

The Oxford Encyclopedia of Theatre and Performance

Reference type:
Subject Reference
Current Version:
2005
Subject:
Performing arts, Theatre
Length:
162 words

... In Aristotle 's Poetics , anagnorisis (recognition) refers to a change in the protagonist from ignorance to knowledge, leading to happiness ( comedy ) or misery ( tragedy ). In tragedy, anagnorisis is often the mechanism whereby peripeteia (reversal) is brought about. Taken together, recognition and reversal are central to a complex plot , revealing the hamartia (error) underlying the protagonist's tragic act, and precipitating his suffering. In Aristotle's discussion of the techniques of recognition—made much of in early modern ...

anagnorisis

anagnorisis   Reference library

The Companion to Theatre and Performance

Reference type:
Subject Reference
Current Version:
2010
Subject:
Performing arts, Theatre
Length:
164 words

... In *Aristotle 's Poetics , anagnorisis (recognition) refers to a change in the *protagonist from ignorance to knowledge, leading to happiness ( *comedy ) or misery ( *tragedy ). In tragedy, anagnorisis is often the mechanism whereby * peripeteia (reversal) is brought about. Taken together, recognition and reversal are central to a complex plot, revealing the * hamartia (error) underlying the protagonist's tragic act, and precipitating his suffering. In Aristotle's discussion of the techniques of recognition—made much of in *early modern ...

anagnorisis

anagnorisis   Quick reference

The Oxford Dictionary of Literary Terms (4 ed.)

Reference type:
Subject Reference
Current Version:
2015

... [ an-ag- nor -ĭs-is ] ( plural -ises ) The Greek word for ‘recognition’ or ‘discovery’, used by Aristotle in his Poetics to denote the turning point in a drama at which a character (usually the protagonist ) recognizes the true state of affairs, having previously been in error or ignorance. The classic instance is Oedipus’ recognition, in Oedipus Tyrannus , that he himself has killed his own father Laius , married his mother Jocasta , and brought the plague upon Thebes. The anagnorisis is usually combined with the play’s peripeteia or...

anagnorisis

anagnorisis noun   Reference library

The Oxford Essential Dictionary of Foreign Terms in English

Reference type:
Subject Reference
Current Version:
2002
Subject:
Language reference
Length:
13 words

... noun plural anagnorises L18 Greek ( anagnōrisis ). Recognition; the denouement in a drama...

anagnorisis

anagnorisis  

Reference type:
Overview Page
Subject:
Literature
[an‐ag‐nor‐ĭs‐is](plural‐ises)The Greek word for ‘recognition’ or ‘discovery’, used by Aristotle in his Poetics to denote the turning point in a drama at which a character (usually the protagonist) ...
discovery

discovery  

Reference type:
Overview Page
Subject:
Literature
A term sometimes used as an English equivalent for anagnorisis, that is, a point in a play or story at which a character recognizes the true state of affairs. See also dénouement.
Aristotelian

Aristotelian  

Reference type:
Overview Page
Subject:
Literature
[a‐ris‐tŏ‐tee‐li‐ăn]Belonging to or derived from the works of the Greek philosopher Aristotle (384–322 bce), the most important of all ancient philosophers in his influence on medieval science and ...
peripeteia

peripeteia  

Reference type:
Overview Page
Subject:
Literature
[pe-ri-pĕ-tee-ă][pe-rip-ĕti])A sudden reversal of a character's circumstances and fortunes, usually involving the downfall of the protagonist in a tragedy, and often coinciding with the ‘recognition’ ...
scène à faire

scène à faire  

Reference type:
Overview Page
Subject:
Literature
[sen a fair]A French term for the kind of scene within a drama towards which the preceding action seems inevitably to tend, such as the crucial encounter between hero and villain. It usually provides ...
climax

climax  

Reference type:
Overview Page
Subject:
Literature
1. A moment in a narrative when the conflict and tension peak for the audience. Often synonymous with crisis.2. The third phase of dramatic structure in Freytag's pyramid.3. Climax order: a ...
crisis

crisis  

Reference type:
Overview Page
The ultimate turning point in a narrative structure when resolution is imminent. Usually synonymous with the emotional climax. See also classical narrative structure.
origins of theatre

origins of theatre  

Reference type:
Overview Page
The ‘ritual theory of origin’, itself of nineteenth-century origin and first proposed in scientific guise by the Cambridge School of Anthropology, swiftly became a commonplace even beyond the circles ...
deus ex machina

deus ex machina  

Reference type:
Overview Page
Subject:
Literature
(Latin, god from the machine)The phrase refers to the theatrical device whereby a supernatural agency is introduced to solve the dramatic situation; hence, any artificial, introduced, external, and ...
crisis

crisis   Quick reference

The Oxford Dictionary of Literary Terms (4 ed.)

Reference type:
Subject Reference
Current Version:
2015

...A decisive point in the plot of a play or story, upon which the outcome of the remaining action depends, and which ultimately precipitates the catastrophe or dénouement . See also anagnorisis , climax , peripeteia...

discovery

discovery   Quick reference

The Oxford Dictionary of Literary Terms (4 ed.)

Reference type:
Subject Reference
Current Version:
2015

...A term sometimes used as an English equivalent for anagnorisis , that is, a point in a play or story at which a character recognizes the true state of affairs. See also dénouement...

tragedy

tragedy   Quick reference

World Encyclopedia

Reference type:
Subject Reference
Current Version:
2004
Subject:
Encyclopedias
Length:
60 words

...in which a noble hero (the protagonist) meets a fate inherent in the drama's action. Oedipus Rex by Sophocles is an early example, which was unmatched until the tragedies of Christopher Marlowe . Aristotle 's Poetics systematized tragedy and introduced such ideas as anagnorisis (recognition) and catharsis (purging of pity). See also Aeschylus ; Euripides ; Greek Drama ; Shakespeare,...

peripeteia

peripeteia   Quick reference

The Oxford Dictionary of Literary Terms (4 ed.)

Reference type:
Subject Reference
Current Version:
2015

... [ pe-ri-pĕ- tee -ă ] ( peripety [ pe- rip -ĕti ]) A sudden reversal of a character’s circumstances and fortunes, usually involving the downfall of the protagonist in a tragedy , and often coinciding with the ‘recognition’ or anagnorisis . In a comedy , however, the peripeteia abruptly restores the prosperity of the main character(s). See also coup de théâtre...

scène à faire

scène à faire   Quick reference

The Oxford Dictionary of Literary Terms (4 ed.)

Reference type:
Subject Reference
Current Version:
2015

...for the kind of scene within a drama towards which the preceding action seems inevitably to tend, such as the crucial encounter between hero and villain. It usually provides an emotional climax . The term is sometimes rendered in English as ‘obligatory scene’. See also anagnorisis , catastrophe , crisis , dénouement , well-made play...

deus ex machina

deus ex machina   Reference library

Ronald W. Vince

The Oxford Encyclopedia of Theatre and Performance

Reference type:
Subject Reference
Current Version:
2005
Subject:
Performing arts, Theatre
Length:
114 words

...the play, noting that it was otherwise inartistic. Its use in tragedy as an instrument of superior will, or as an ironic commentary on that will (as in Euripides ' Orestes ), is nevertheless appropriate; and its use in comedy —usually a sign effecting the recognition ( anagnorisis )—properly underscores the role of chance in the comic world. Ronald W....

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