Wright, Willard Huntington (1888) Reference library
The Grove Encyclopedia of American Art
...lectured on modern art. His last art book was The Future of Painting (New York, 1923 ). [ See also Macdonald-Wright, Stanton , and Synchromism . ] Bibliography G. Levin : Synchromism and American Color Abstraction, 1910–1925 (New York, 1978) W. C. Agee : “ Willard Huntington Wright and the Synchromists: Notes on the Forum Exhibition, ” Archvs Amer. A.J. , xxiv/2 (1984), pp. 10–5 J. Loughery : “ Charles Caffin and Willard Huntington Wright, Advocates of Modern Art, ” Arts Magazine [prev. pubd as Arts [New York]; A. Dig.] , lix/5 (1985), pp. 103–9 A....
Wright, Willard Huntington (1888–1939) Quick reference
The Oxford Dictionary of American Art and Artists (2 ed.)
..., Willard Huntington ( 1888–1939 ). Art critic Also a fiction writer and literary critic and historian. In three significant books championing modern art, Modern Painting: Its Tendency and Meaning ( 1915 ), The Creative Will: Studies in the Philosophy and the Syntax of Aesthetics ( 1916 ), and The Future of Painting ( 1923 ), he reflected the thinking of his brother, Stanton Macdonald-Wright . Like his brother born in Charlottesville, Virginia, and transplanted to California, he attended several colleges and worked as a writer in Los Angeles...
Wright, Willard Huntington Reference library
The Oxford Companion to American Literature (6 ed.)
..., Willard Huntington ( 1888–1939 ), born in Virginia, was educated in California and at Harvard and became an editor of The Smart Set ( 1913–14 ), distinguishing himself as a sophisticated student of esoteric subjects. His writings, during this period in New York and a residence in Europe, included Europe After 8:15 ( 1913 ), in collaboration with H.L. Mencken and G.J. Nathan , co-editors of The Smart Set; What Nietzsche Taught ( 1914 ); Modern Painting ( 1915 ); and The Future of Painting ( 1923 ). In 1925 he suffered a serious illness, and,...
Wright, Willard Huntington (1888–1939) Quick reference
A Dictionary of Modern and Contemporary Art (3 ed.)
..., Willard Huntington ( 1888–1939 ) American art and literary critic and novelist , brother of the painter Stanton Macdonald-Wright . He was born in Charlottesville, Virginia, grew up in California, and studied at Harvard University. In 1912 he moved to New York, where he worked as a journalist, and in 1913 (soon after seeing the Armory Show ) he joined his brother in Paris, where he lived for the next two years. One of the first articles he sent back from Paris was ‘Impressionism to Synchromism ’ ( The Forum , December 1913 ), in which he...