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Henry Arthur Jones

(1851–1929), dramatist, achieved success with The Silver King (1882). A friend and contemporary of Pinero, Jones did much to re‐establish serious themes in the theatre. As a ...

Lytton, Sir H(enry) A(lbert)

Lytton, Sir H(enry) A(lbert)   Reference library

Andrew Lamb

The Grove Book of Opera Singers (2 ed.)

Reference type:
Subject Reference
Current Version:
2009
Subject:
Music, Opera, Performing arts
Length:
189 words

...Sir H(enry) A(lbert) [ H(enry) A(lbert) Jones ] [ Henri, H. A. ] ( b London , 3 Jan 1865 ; d London , 15 Aug 1936 ). English baritone . In 1884 , with his wife, ‘Louie Henri’, he joined the chorus of the D'Oyly Carte company touring Arthur Sullivan's Princess Ida . In 1887 he deputized at the Savoy Theatre as Robin Oakapple in Ruddigore , and during the 1890s appeared at the Savoy in Gilbert and Sullivan revivals, playing mostly heavier baritone roles. He created roles for Sullivan and Edward German in The Rose of Persia ( 1899 ), ...

Cantelo, April

Cantelo, April   Reference library

Alan Blyth

The Grove Book of Opera Singers (2 ed.)

Reference type:
Subject Reference
Current Version:
2009
Subject:
Music, Opera, Performing arts
Length:
190 words

...she also sang Blonde ( 1953 ) and Marzelline ( 1963 ). With the English Opera Group she created Helena in Benjamin Britten's A Midsummer Night's Dream ( 1960 ) and sang Emmeline in Henry Purcell's King Arthur ( 1970 ). In Malcolm Williamson's operas she created Beatrice ( Our Man in Havana , 1963 ), Swallow ( The Happy Prince , 1965 ), Ann ( Julius Caesar Jones , 1966 ) and Berthe ( The Violins of St Jacques , 1966 ). She was a very gifted singing actress, demonstrating her skill as Manon Lescaut in H. W. Henze's Boulevard Solitude and...

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