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Poland, 20th century Reference library
Stefan Muthesius
The Oxford Companion to Architecture
...20th century Poland’s contribution to 19th-century architecture had been less prominent than that of many other central European countries, or at least it was held to be so; this was partly due to the way in which Poland lacked effective architectural publications, which was in turn caused by the fact that none of its centres could act as proper cultural capitals, and because of a lack of architectural institutions; for instance, until World War I Polish architects had to go to neighbouring countries even to study architecture. Of the architectural...
hospitals, western Europe 20th century Reference library
Peter Molyneux
The Oxford Companion to Architecture
...western Europe 20th century In the 20th century, architects saw themselves facilitating the clinical process through efficient, modern hospital design. This led to the development of a theory of hospital architecture based on a notion that rational inquiry would aid architecture, as it had done in industry and economics, with designs that placed great emphasis on clinical functionality rather than environmental quality. The tower-on-podium offered a strong conceptual whilst aesthetically acceptable solution, with standardized ward units stacked over a...
Netherlands, 19th–20th century Reference library
Auke van der Woud
The Oxford Companion to Architecture
...19th–20th century Dutch architecture in the 19th century was as internationally oriented as in the 20th, but Dutch architect s and their work would participate actively in international architectural debates only after World War I. The 19th century brought roughly the same fundamental social, ideological, and technical changes to the Netherlands as to other parts of Europe. The architects, their patrons, the education, and their work changed more or less in the same way. At the start of the 19th century, until c .1835 , French architect ure...
Europe: 20th- and 21st-century Painting, Sculpture, Stained Glass Reference library
The Oxford Dictionary of Christian Art and Architecture (2 ed.)
...nationalism that characterized much of early 20th-century Irish art, especially after independence and throughout the mid-century. This nationalism was more generally expressed through a kind of Celtic revivalism and a neo-Hiberno-Romanesque style that typified the work of Irish artists in the substantial number of large churches and religious buildings commissioned on into the 1950s, best seen in the figurative work of stone-carvers such as Albert Power and Seamus Murphy. Throughout the latter half of the 20th century, a generation of Irish painters such as...
Abstract Representation
Mike Bidlo
Andrea Brustolon
Jacqueline Casey
Alice Aycock
Bishr Farès
Adrien Faizelot Delorme
Beverly Pepper
G. David Thompson
Joseph Yoakum
Desmond FitzGerald
Henry Walters
Eva Baer
John Goddard
C. F. Goldie
