- Publishing Information
- General Links for this Work
- Essay Contributors
- Entry Contributors
- Introduction
- Antiquarianism (Popular)
- Architecture
- Class
- Consumerism
- Democracy
- Design
- Domesticity
- Education
- Empire
- Enlightenment
- Exploration
- History
- Industrialization
- Land
- Language
- Law
- Literary Theory
- Medicine
- Music
- Mythology
- Natural Philosophy (Science)
- Novels
- Painting
- Poetry
- Policing
- Political Economy
- Popular Culture
- Poverty
- Prints
- Prose
- Psychology
- Publishing
- Religion
- Revolution
- Sensibility
- Slavery
- Theatre
- Utopianism
- Viewing
- War
- Women
Harrison, Samuel
- Source:
- An Oxford Companion to the Romantic Age
- Author(s):
Harrison, Samuel
(1760–1812),
English tenor and impresario who specialized in sacred, ‘ancient’ song even as a boy, and developed a tenor voice perfect for this repertory; somewhat limited in range, power, and animation, it was pure in tone, taste, and intonation. He sang at the 1784 *Handel Commemoration, as principal tenor at the Ancient *concerts (1785–91), and as principal singer and director of the Covent Garden *oratorios (1789–92). Detecting a swing in public taste away from instrumental music, Harrison established the vocal concerts with Charles Knyvett (1752–1822) in 1792–5, presenting vocal solos, *glees, and catches, with only occasional Italian arias or instrumental pieces. He revived the concert series twice, with different partners (1801–3, 1804–12).
Rachel Cowgill
- Publishing Information
- General Links for this Work
- Essay Contributors
- Entry Contributors
- Introduction
- Antiquarianism (Popular)
- Architecture
- Class
- Consumerism
- Democracy
- Design
- Domesticity
- Education
- Empire
- Enlightenment
- Exploration
- History
- Industrialization
- Land
- Language
- Law
- Literary Theory
- Medicine
- Music
- Mythology
- Natural Philosophy (Science)
- Novels
- Painting
- Poetry
- Policing
- Political Economy
- Popular Culture
- Poverty
- Prints
- Prose
- Psychology
- Publishing
- Religion
- Revolution
- Sensibility
- Slavery
- Theatre
- Utopianism
- Viewing
- War
- Women