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The Oxford Companion to Architecture is a new reference book on a popular and much-debated subject. It contains over 1500 A-Z entries covering all aspects of architecture, from architects, building types, and movements and styles to materials, aspects of design, and definitions. It is particularly strong in its coverage of architecture around the world, and of modern and vernacular architecture. The Companion is strongly rooted in an approach to architecture that looks at its social, technical, and practical aspects, as well as viewing it from an art-historical perspective.

With high-quality illustrations to complement and enhance the text, and a bibliographic essay, the Companion is an invaluable reference resource for architects, designers, teachers and students of architecture and architectural history at high school and college level, and the general reader interested in architecture.

It has been written by a team of over 150 contributors, including many distinguished architects and academics, under the editorship of Dr Patrick Goode and two consultant editors, Stanford Anderson and Sir Colin St John Wilson.

Over 2,500 entries

Covering Western art from the ancient Greeks to the present day, this best-selling and authoritative dictionary is more wide-ranging than any comparable reference work. It contains clear and concise entries on styles and movements, materials and techniques, and museums and galleries. It also includes biographical entries for artists, critics, collectors, dealers, and patrons, with places and full dates of birth and death (in many instances correcting misinformation that has found its way into other sources). For this new edition, entries have been thoroughly revised and updated, and almost fifty new entries have been added, for example Ai Weiwei and Anne Vallayer-Coster. Written in an engaging manner with many entries enlivened by quotations from artists and critics, this dictionary is a pleasure to browse, and it is ideal for artists, visitors to art exhibitions and galleries, and anyone with an interest in art.

The Concise Dictionary of Art Terms is an accessible and useful A-Z, covering a wide range of terms from the visual art world, including materials, techniques, and important styles and periods.

In this new edition, the text has been fully revised and updated to reflect the latest developments in the field. It has also been expanded with more than 100 brand new entries, focusing primarily on modern and contemporary art materials and techniques.

From abstract art to woodcuts, and the Baroque Revival to ziggurats, this highly readable dictionary is the ideal reference source for students of Art and all related subjects, for gallery visitors, and for all people interested in the visual arts.

This online edition was reviewed and selectively updated by the original author in 2011.

The Oxford Dictionary of Art is the unrivalled one-volume guide to the art of the Western world. It provides a careful balance of fact and critical appraisal, ranging across painting, sculpture, and the graphic arts from classical times to the present.

Over 4,700 entries

The Benezit Dictionary of Asian Artists consists of more than 4,700 entries on Asian artists representing all regions of the continent, including the Middle East, and every era from antiquity to the present. The content is drawn from the most recent edition of the Benezit Dictionary of Artists (Editions Gründ, 2006), supplemented by fifty new entries on contemporary artists commissioned for this publication and over one hundred updated biographies.

Although most of the articles are on East Asian artists, primarily from China and Japan, the overall geographic and chronological scope is considerable, representing artists throughout the continent, and from ancient periods into the 21st century. This dictionary provides a compact, accessible collection of entries on Asian artists from ukiyo-e printmaker Hiroshige to Indian cubist painter Maqbool Fida Husain to Jin Dynasty painter Gu Kaizhi to Israeli artist Yaacov Agam. The artists specialize in a wide range of media, from calligraphy to performance art.

Entries provide concise narratives of artists’ careers, and many include bibliographies, exhibition histories, collection holdings, or auction records; additional entries are illustrated with images of artists’ signatures.

Over 3,200 entries

The Benezit Dictionary of British Graphic Artists and Illustrators features over three thousand entries on British artists, ranging from contemporary cartoonists to medieval manuscript illuminators. The majority of the content was chosen from the most recent edition of the Benezit Dictionary of Artists (Editions Gründ, 2006), with more than ninety revised entries and sixty new ones, primarily on 19th- and 20th-century artists.

This work provides a compact, accessible collection of entries on printmakers, poster artists, illustrators, cartoonists, calligraphers, and illuminators either native to or active in the United Kingdom from the Middle Ages to the present. The Dictionary is therefore an essential reference for the rich history of British printmaking—both fine art prints as well as works for mass print media—and artistic activities related to the production of manuscripts and printed books. Because of Benezit’s focus on European artists, particularly those active in the 18th, 19th, and 20th centuries, this collection provides excellent coverage of these media during their most significant periods of development.

Entries provide concise narratives of artists’ careers, and many include bibliographies, exhibition histories, collection holdings, or auction records; over 200 entries feature images of artists’ signatures and monograms.

Over 2,000 entries

This authoritative reference work boasts worldwide coverage of modern and contemporary art from 1900 to the present day. It features A to Z entries on movements, styles, techniques, artists, critics, schools, and galleries. A valuable resource for artists, art students, and art lovers, it gives indication of public collections and publicly sited works as well as suggestions for further reading within entries.

For this new edition the existing entries have been revised and updated, and more than 80 new entries have been added, expanding the international coverage of the dictionary heavily with entries for artists such as Hilma af Klint, Nasreen Mohamedi, Lygia Pape, and Anri Sala. It is an ideal reference for students and teachers of art history, artists, and anyone with an interest in modern and contemporary art and culture.

Over 950 entries

From the Arts and Crafts Movement to Postmodernism, Apple to Frank Lloyd Wright, this fascinating dictionary covers the past 160 years of international design, with accessible entries on branding, graphics, industrial design, functionalism, and fashion. New entries on digital design and sustainable design bring the coverage up to date. The dictionary’s international focus takes in major movements, key concepts, design terminology, and important design institutions, museums, and heritage sites.

The new edition reflects the growing global importance of design, with coverage of India, China, and the countries of the Pacific Rim, Eastern Europe, and East Asia, and demonstrates how developments in the design of technology influence everyday life, with new entries on fonts, games developers such as Gunpei Yokoi of Nintendo, Android, Samsung, and Blackberry, and a fully revised entry on Apple.

The A–Z entries are complemented by an extensive bibliography and a timeline.

This dictionary comprises authoritative, highly accessible entries on artists, architects, and their works. These entries are supplementary to other art and architecture titles in the Quick Reference collection, and are written by specialist authors. The dictionary is an ongoing project, and more entries will be added over time.

Featuring 815 articles by distinguished scholars from many fields and countries, the Encyclopedia of Aesthetics is a comprehensive survey of major concepts, thinkers, and debates about the meaning, uses, and value of all the arts—from painting and sculpture to literature, music, theater, dance, television, film, and popular culture.

Expanded from the 1998 first edition, the second edition of the Encyclopedia surveys the full breadth of critical thought on art, culture, and society—from classical philosophy to contemporary critical theory. The second edition includes increased coverage of international aesthetics, modern aesthetics, new media like computer art, and areas like neuroaesthetics that were not thoroughly covered in the first edition.

The Encyclopedia of Aesthetics is the first reference work to survey the full breadth of critical thought on art, culture, and society from classical philosophy to contemporary critical theory. A 1998 RUSA Outstanding Reference Source, the Encyclopedia features 600 articles on the major concepts, thinkers, and debates about the meaning, uses and value of all the arts. Distinguished scholars from many fields and countries have contributed to this comprehensive and pioneering achievement, which is now available for the first time in e-book form.

Because the concept of aesthetics ranges across cultures and disciplines, the Encyclopedia gives extensive coverage to painting, sculpture, music, theater, dance, television, film, and popular culture as well as a wide array of philosophical and sociological theories. Of particular note are in-depth articles on such concepts as Autonomy, Formalism, Semiotics, Moral Rights of Art, and Perception. Entries on the aesthetics of France, Russia, China, and many other nations emphasize the international scope of the Encyclopedia, while cross-references and bibliographies provide quick access to further scholarship.

The Grove Encyclopedia of American Art (GEAA) deals with all aspects of American art and architecture from Native American art to Colonial art to contemporary American art. Drawing upon the expansive scholarship in The Dictionary of Art (DOA) and adding hundreds of new entries not previously covered in the DOA, GEAA is a comprehensive and current reference resource for information on this important area for students, researchers, and the general public. There are articles on all subject areas in American fine art including: biographies of major artists, architects and patrons, architecture, painting, new media, photography, sculpture, installation art, performance art, new media art, art education, and more. GEAA will also meet educational interest in this area by providing thorough coverage of American art with an array of articles that are accessible to secondary school students, undergraduate college students, and general readers. GEAA also offers over 600 images.

2007 Booklist Editor's Choice

2007 Choice Outstanding Academic Title

Over 1,000 entries

The Grove Encyclopedia of Classical Art and Architecture is the most current and comprehensive reference resource for the visual arts of the Classical period. It features an abundance of in-depth articles on this field of enduring importance—from biographies to thematic entries on architecture, ceramics, metalwork, mosaics, painting and sculpture. The resource provides fascinating and authoritative art historical and cultural information about art forms, artists, rulers, philosophers, architecture, renowned works of art, archaeological sites and stylistic developments. Notable important subjects include the Apollo Belvedere, Carthage, the Euphronios krater, the Laokoon, Troy, the Venus de Milo and much more. Encompassing over four thousand years of artistry and innovation, this resource spans every art form, medium and civilization from Cycladic, Minoan, Helladic, and Etruscan art to the fall of the Roman Empire. Drawing upon the unparalleled scholarship in The Dictionary of Art (1996), and adding dozens of newly commissioned entries on recent archaeological discoveries, fully updated bibliography and over 600 illustrations, this publication sets a new standard in Classical studies.

2006 Library Journal Best Reference

2007 Choice Outstanding Academic Title

Over 3,000 entries

The Grove Encyclopedia of Decorative Arts contains over 3,000 entries covering thousands of years of decorative arts production throughout western and non-western cultures. Explore the works of Alvar Aalto and Charles and Ray Eames, or learn about the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms. Also included are hundreds of entries on the qualities and historical uses of materials, concise definitions on art forms and styles, and in-depth articles discussing the history of armor, jewelry, furniture, textiles, and ceramics. Enriched by more than 600 black-and-white illustrations and over 100 color photos, this reference is essential for any general reader, collector, curator, or scholar interested in this rich and varied field.

The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, the Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.

The Grove Encyclopedia of Materials and Techniques in Art offers the most comprehensive, up-to-date information on all aspects of this fundamental area of the visual arts. This reference work provides fascinating historical and current uses of materials and techniques in a wide range of areas from painting and sculpture to non-traditional media such as digital and video art. For anyone who studies, creates, collects, or deals in works of art, this book is an indispensable resource. Coverage includes materials in art practice (e.g. ink, enamel, digital materials); materials in conservation (e.g. adhesives); classes of artifacts (e.g. wallpaper, mosaic, ceramic); techniques and methods (e.g. book binding, gilding, printing, weaving), terms (e.g. rustication), tools (e.g. easel, laser), theory (e.g. technical examination, conservation controversies), fakes & forgeries, and conservation theorists and practitioners.

Over 2,030 entries

The Grove Encyclopedia of Medieval Art and Architecture offers unparalleled coverage of all aspects of art and architecture from Medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated Grove Dictionary of Art and adding hundreds of new entries on topics not previously covered, as well as fully updated and expanded entries and bibliographies, The Grove Encyclopedia of Medieval Art and Architecture offers students, researchers, and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

The Encyclopedia offers scholarly material on Medieval art in more than 2,030 intelligent, well-written, and informative articles, each of which is followed by a bibliography to support further research. These include a mixture of shorter, more factual articles and larger, multi-section articles tracing the development of the arts in major regions. There are articles on all subject areas in Medieval art including biographies of major artists, architects and patrons; countries, cities, and sites; cultures and styles (Anglo-Saxon art, Carolingian art, Coptic art, Early Christian art, Romanesque, Gothic, Insular art, Lombard art, Merovingian art, Ottonian art, and Viking art); ivories, books and illuminated manuscripts, metalwork, architecture, painting, tapestries, sculpture, mosaics, reliquaries, and more.

Part of the acclaimed Grove Art family of encyclopedias, The Grove Encyclopedia of Medieval Art and Architecture is lavishly illustrated with nearly 470 black-and-white images and 170 color plates.

The Grove Encyclopedia of Northern Renaissance Art offers the most current and comprehensive scholarly information on the visual arts of the Renaissance in Northern Europe. Unparalleled in scope and depth, covers a wide range of subject areas, addressing people and subjects specific to all areas of Northern, Central, and Eastern Europe, including the diverse geographical regions that now encompass the modern nations of Germany, Austria, France, England, the Netherlands, Belgium, Scandinavia, Poland, and Russia. Featuring rich and engaging articles on artists, artisans, patrons, painting, architecture, sculpture, cities, centres of production, theory, criticism, and more, this reference work is an indispensible resource for scholars, collectors, and students alike. Drawing upon the unsurpassed scholarship in The Dictionary of Art and adding dozens of new entries and hundreds of updated bibliographies, this publication sets a new standard in Northern Renaissance studies.

‘a word of warning - there's no quick escape from this marvellous book’, Hugh Johnson

This Companion is devoted to gardens of every kind and the people and ideas involved in their making. It combines a survey of the world's gardens with articles on a range of topics, such as garden visiting, horticulture, scientific issues, and the social history of gardens, as well as biographies of garden designers, nurserymen, and others. Over half the entries are devoted to individual gardens, ranging from palace gardens such as Versailles to private gardens of outstanding design or plant interest, botanic gardens and arboreta, and late 20th-century land art. The geographical coverage is worldwide, with contributions from leading authorities and top garden writers from more than 25 countries.

‘unique, totally relevant, and helps define a medium’, Ralph Gibson

This online edition was reviewed and selectively updated by Angela Nicholson.

Compiled by an international team of over 140 contributors, this is the first Oxford Companion to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene. Providing a wide range of technical information, the Companion also presents, in a concise and readily accessible form, the mass of recent scholarship on photography as a social and artistic practice. There are over 800 biographical entries, both on photographers and on others who have influenced photographic culture from the 19th century to the present. The Companion is stunningly illustrated, with many pictures published here for the first time.

This is essential reading for anyone with an interest in photography and the visual arts; it will also appeal to readers interested in the social history of the last 150 years.