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Accent Reference library
C. O. Hartman
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
In Eng., accent is the auditory prominence perceived in one syllable as compared with others in its vicinity. Accent and

Alexandrine Reference library
G. Peureux
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
The grand line of Fr. poetry since the 16th c., the alexandrine is made of 12 countable vowels (or 13

Arabic Prosody Reference library
D. Frolov
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
Ar. *versification (al- ʿArūḍ) is quantitative (see

Beat Reference library
D. Attridge
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
The recurring pulse in a regular *rhythm. Derived from the motion of the conductor’s hand or baton indicating

Bridge Reference library
A. M. Devine and L. D. Stephens
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
In metrics, bridges are constraints on word end at certain locations within the line. In *classical prosody, the

Classical Meters in Modern Languages Reference library
D. Attridge
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
I. Introduction II. Quantitative Imitations III. Accentual Imitations
I. Introduction.
Throughout the hist. of Eur. poetry since the Ren., there

Counterpoint Rhythm Reference library
C. Scott
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
Often manifest as *syncopation, a rhythmical effect produced by metrical variation, that is, by temporary departure from the

Cretic Reference library
R. J. Getty, A. T. Cole, and T.V.F. Brogan
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
In cl. prosody, the metrical sequence – ᴗ –, sometimes felt as a segment of iambo-trochaic and used alongside iambs

Foot Reference library
A. M. Devine, L. D. Stephens, T.V.F. Brogan, and G. B. Cooper
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
I. Classical II. Modern
I. Classical.
The foot (Gr. pous, Lat. pes, Sanskrit mātrā [“measure”], Fr. pied,

French Prosody Reference library
G. Peureux
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
Metrically, Fr. poetry is syllabic, based on a fixed number of syllables in each line that need not have the

Germanic Prosody Reference library
R. D. Fulk
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
The earliest poetry recorded in Germanic langs. takes the form of alliterative verse (AV), in which stress, syllable

Jazz Poetry Reference library
M. D. Jones
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
The diverse range of instrumental and vocal music categorized as jazz (and its precursor and counterpart, *blues) functioned

Pause Reference library
T. Cable
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
The question of pause in poetry is one of unexpected complexity because any answer implies far-reaching assumptions. In general, temporal

Prosodic Feature Analysis of Verse Reference library
D. H. Chisholm
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
A system of metrical analysis developed by Karl Magnuson and Frank G. Ryder in the late 1960s and early 1970s

Rhythm Reference library
D. Attridge
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
I. Features of Rhythm II. Rhythm versus Meter III. Analysis of Rhythm
Although when it was first used in Eng.,

Rubāʿī Reference library
F. D. Lewis
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
A *monorhyme *quatrain originating in the Persian trad. and subsequently adapted into other Islamicate lits. The term rubāʿī

Scansion Reference library
T. Steele
The Princeton Encyclopedia of Poetry and Poetics (4 ed.)
I. Definition and History II. Notation III. Meter, Rhythm, and Scansion IV. Pros and Cons of Scansion
I. Definition and
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