women in audiences
Demographic data on theatre audiences is not often available and this has led to much speculation about their social composition, especially for distant historical periods. For example, received histories of English theatre in the late sixteenth and early seventeenth centuries stated that only aristocratic women and prostitutes were in the audience. Late twentieth-century theatre scholarship has suggested, however, that this is an oversimplification of actual attendance patterns and the audience was much more diversified in terms of both ... ...
Access to the complete content on Oxford Reference requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
Please subscribe or login to access full text content.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.
For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.