The Grove Dictionary of American Music (2 ed.)
Charles Hiroshi Garrett
Over 9,000 entries
The Grove Dictionary of American Music, second edition is the largest, most comprehensive reference publication on American Music. Twenty-five years ago, the four volumes of the first edition of the dictionary initiated a great expansion in American music scholarship. This second edition reflects the growth in scholarship the first edition initiated. At eight volumes, it provides greatly expanded coverage, particularly in the areas of popular music, cities and regions, musical theater, opera, concert music, and music technology, as well as the musical traditions of many ethnic and cultural groups.
The articles of the dictionary range from small definitions of dance styles and musical terms to mid-length biographies of important performers, composers and music patrons, to longer examinations of larger subjects such as the history of jazz, musical instruments, music education in the United States, and the American history of the orchestra.
The dictionary's articles are supplemented by over 400 images and 140 musical examples and other materials. An abbreviations list, list of contributors, and tips on the use of the dictionary make navigation easy. With well-researched, informative articles by 1500 authors, including most of the top scholars in the field, The Grove Dictionary of American Music is accessible to scholars, academic specialists, and the general public.
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Charles Hiroshi Garrett,
Charles Hiroshi Garrett is Associate Professor of Musicology at the University of Michigan School of Music, Theater and Dance, as well as a faculty associate of the university's American Culture Program. He has served as review editor and assistant editor of American Music, the journal of the Society for American Music. His book Struggling to Define a Nation: American Music and the Twentieth Century, which was awarded the Irving Lowens Memorial Book Award by the Society for American Music, was published by University of California Press in 2008. He is co-editor of Jazz/Not Jazz: The Music and Its Boundaries, forthcoming from the University of California Press and author of numerous articles, including "Shooting the Keys: Musical Horseplay and High Culture" in The Oxford Handbook to the New Cultural History of Music, ed. Jane F. Fulcher (Oxford University Press, forthcoming).