An A-Z Guide to Shakespeare (2 ed.) Quick reference
Over 860 entries
Compiled by one of the best-known authorities on Shakespeare's works, this online-only dictionary offers up-to-date information on all aspects of Shakespeare in his own time and on his impact and influence on later ages. It includes entries on the plays and the major characters, on Shakespeare's life and his contemporaries, on actors from Richard Burbage to Judi Dench, on theatres and directors, plus comments on Shakespeare by later authors such as Jane Austen, Dr Johnson, and Bernard Levin.
The Oxford Dictionary of Plays (2 ed.) Quick reference
‘informative, illuminating, and helpful … a remarkable achievement’ – Michael Billington, The Guardian
Over 1,000 entries
Provides essential information on the best-known, best-loved, and most important plays in world theatre. Each entry includes details of the title, author, date of writing, date of first performance, genre, setting, and composition of cast; there is also a summary of the play's plot, and a brief commentary. Genres covered include: burlesque, comedy, farce, historical drama, kabuki, masque, melodrama, morality play, mystery play, No, romantic comedy, tragicomedy, satire, and tragedy. The perfect guide for students and scholars of drama and literature, theatre professionals, and directors looking for plays for performance.
The Oxford Companion to Theatre and Performance Reference library
This Oxford Companion is based on the celebrated Oxford Encyclopedia of Theatre and Performance, and covers styles and movements, organizations, regions and traditions; it has a particularly strong focus on biographies of actors, playwrights, directors, and designers. New entries cover the people and companies who have come into prominence since the publication of the Encyclopedia.
The Companion includes all the most popular and accessible information from the Encyclopedia, concentrating primarily on the personalities involved in producing threatre, as well as overviews of the genres within which they work. It has 2,400 entries presented in a far more compact and portable format. The timeline of historical and cultural events in the world of theatre and performance has been significantly updated, along with the extensive bibliography.
The Companion provides an informative and accessible package aimed at both the theatre-going public and at specialists and professionals in the field.
Dictionary Plus Performing Arts Quick reference
This dictionary comprises authoritative, highly accessible entries on styles, dramatists, performers, companies, and organizations related to the performing arts. These entries are supplementary to other performing arts titles in the Quick Reference collection, and are written by specialist authors. The dictionary is an ongoing project, and more entries will be added over time.
The International Encyclopedia of Dance Reference library
1998 Choice Outstanding Academic Book
1998 Library Journal Best Reference
1998 ALA/RUSA Outstanding Reference Source
With nearly 2,000 articles written by scholars from fifty countries, the Encyclopedia covers the full spectrum of dance—theatrical, ritual, dance-drama, folk, traditional, ethnic, and social dance. Cultural and national overviews are accompanied by entries on dance forms, music and costumes, performances, and biographies of dancers and choreographers.
The Concise Oxford Companion to the Theatre (2 ed.) Reference library
This concise version of the acclaimed Oxford Companion to the Theatre covers all aspects of theatre worldwide and throughout the ages. It contains entries on a vast range of theatrical styles, dramatists, performers, and directors, as well as information on theatres, festivals, and such technical topics as lighting, sound, and method acting. Entries on people and places include Athol Fugard, Anthony Hopkins, Glenda Jackson, Derek Jacobi, Harvey Fierstein, Helen Mirren, Trevor Nunn, Peter O'Toole, Willy Russell, and Stephen Sondheim, Barbican Theatre, The English Shakespeare Company, Michael Gambon, The Swan at Stratford, and the Shubert theatre in New York.
The Oxford Dictionary of Original Shakespearean Pronunciation Reference library
‘I've just had the most tremendous fun with the online platform for The Oxford Dictionary of Original Shakespearean Pronunciation. (...) The spoken words are clear and you can repeat them as often as you wish until you're happy with your own pronunciation.’ - The Bookbag
Over 20,000 entries
This dictionary is the first comprehensive description of Shakespearean original pronunciation (OP), enabling practitioners to answer any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and provides sound files as an additional aid to pronunciation. It details the main pronunciation evidence in the texts, notably all spelling variants and rhymes. An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions as well as other uses. It is an invaluable resource for producers, directors, actors, and others wishing to present Shakespeare's plays or poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.
The Grove Book of Operas (2 ed.) Quick reference
“The Grove Book of Operas, Second Edition, should be on every opera-lover's short list of indispensable reference books. Highly recommended. ” - Gary Hoffman, Opera Today. First published in 1996 to great critical and popular acclaim, the Grove Book of Operas, is a collection of synopses and descriptions of over 250 operas. Each succinct yet insightful entry is written by a leading authority on the opera and includes a full synopsis of the plot, a cast list, a note on the singers in the original production, and information on the origins of the work and its literary and social background. Contributions conclude with a brief comment on the particular work's place in operatic history. The second edition brings the book up to date with several recently composed operas. Recent additions to the operatic repertory included for the first time in this edition include Nicholas Maw, Sophie's Choice; Poul Ruders, A Handmaid's Tale; John Adams, Death of Klinghoffer; and Mark Adamo, Little Women. Covering all operas in the current repertory along with some less-well-known early and very modern ones, this is an ideal volume for the general opera lover.
The Oxford Companion to Indian Theatre Reference library
TheOxford Companion to Indian Theatre is the first reference work embracing both rural and urban modes of Indian theatre spanning its entire history of over 2000 years. Now accessible online for the first time as part of Oxford’s Reference Library, this comprehensive title consists of 750 entries encompassing forms and personalities across India geographically and historically, in twenty-two languages, according to their contribution to the tradition. In keeping with the highest standards of international reference publishing, the editor has compiled and edited this material from 63 contributors. The theatre defined here spans not just conventional proscenium drama, and devotional and secular rural performing genres, but also musical forms such as Kirtan, dance theatre such as Kathakali, and oral narrative such as Katha Kalakshepam, all of which contain theatres' most fundamental element.
The Grove Book of Opera Singers (2 ed.) Reference library
Covering over 1500 singers from the birth of opera to the present day, this marvellous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas (also in Oxford Reference Online: Premium Collection).
The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colourful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers.
A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work. It is an essential volume for opera lovers everywhere.