The Concise Oxford Companion to the Theatre (2 ed.) Reference library
This concise version of the acclaimed Oxford Companion to the Theatre covers all aspects of theatre worldwide and throughout the ages. It contains entries on a vast range of theatrical styles, dramatists, performers, and directors, as well as information on theatres, festivals, and such technical topics as lighting, sound, and method acting. Entries on people and places include Athol Fugard, Anthony Hopkins, Glenda Jackson, Derek Jacobi, Harvey Fierstein, Helen Mirren, Trevor Nunn, Peter O'Toole, Willy Russell, and Stephen Sondheim, Barbican Theatre, The English Shakespeare Company, Michael Gambon, The Swan at Stratford, and the Shubert theatre in New York.
The International Encyclopedia of Dance Reference library
1998 Choice Outstanding Academic Book
1998 Library Journal Best Reference
1998 ALA/RUSA Outstanding Reference Source
With nearly 2,000 articles written by scholars from fifty countries, the Encyclopedia covers the full spectrum of dance—theatrical, ritual, dance-drama, folk, traditional, ethnic, and social dance. Cultural and national overviews are accompanied by entries on dance forms, music and costumes, performances, and biographies of dancers and choreographers.
The Grove Book of Opera Singers (2 ed.) Reference library
Covering over 1500 singers from the birth of opera to the present day, this marvellous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas (also in Oxford Reference Online: Premium Collection).
The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colourful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers.
A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work. It is an essential volume for opera lovers everywhere.
The Oxford Companion to American Theatre (3 ed.) Reference library
First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on American theatre. Critics have hailed its “wealth of authoritative information” (Back Stage), its “fascinating picture of the volatile American stage” (The Guardian), and its “well-chosen, illuminating facts” (Newsday).
This online edition was reviewed and selectively updated by the original authors in 2011.
Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance. Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.
The Oxford Companion to Indian Theatre Reference library
TheOxford Companion to Indian Theatre is the first reference work embracing both rural and urban modes of Indian theatre spanning its entire history of over 2000 years. Now accessible online for the first time as part of Oxford’s Reference Library, this comprehensive title consists of 750 entries encompassing forms and personalities across India geographically and historically, in twenty-two languages, according to their contribution to the tradition. In keeping with the highest standards of international reference publishing, the editor has compiled and edited this material from 63 contributors. The theatre defined here spans not just conventional proscenium drama, and devotional and secular rural performing genres, but also musical forms such as Kirtan, dance theatre such as Kathakali, and oral narrative such as Katha Kalakshepam, all of which contain theatres' most fundamental element.
The Oxford Companion to Shakespeare (2 ed.) Reference library
‘A wonderful treasure-house of information and insight’ – Dame Judi Dench
Over 3,200 entries
From the conjectured identity of the Dark Lady of the Sonnets to the misprints in the First Folio, from Shakespeare’s favourite figures of speech to the staging of Othello in South Africa, a team of 100 internationally renowned scholars provides a lucid, stimulating, and authoritative guide to Shakespeare’s plays and poems, and their interpretation around the world over the last four centuries. Now revised and updated to commemorate the 400th anniversary of Shakespeare’s death, this much-loved Companion reflects developments and discoveries made in recent years as well as the performance, interpretation, and influence of Shakespeare’s works up to the present day.
The Oxford Companion to the American Musical Reference library
‘Amazingly comprehensive and thoroughly researched, The Oxford Companion to the American Musical is a must for any theatre professional or theatre fan.’ Stephen Flaherty
With more than two thousand entries, this guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work - Babes in Toyland for example - as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners.
The Oxford Dictionary of Original Shakespearean Pronunciation Reference library
‘I've just had the most tremendous fun with the online platform for The Oxford Dictionary of Original Shakespearean Pronunciation. (...) The spoken words are clear and you can repeat them as often as you wish until you're happy with your own pronunciation.’ - The Bookbag
Over 20,000 entries
This dictionary is the first comprehensive description of Shakespearean original pronunciation (OP), enabling practitioners to answer any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and provides sound files as an additional aid to pronunciation. It details the main pronunciation evidence in the texts, notably all spelling variants and rhymes. An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions as well as other uses. It is an invaluable resource for producers, directors, actors, and others wishing to present Shakespeare's plays or poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.
The Oxford Companion to Theatre and Performance Reference library
This Oxford Companion is based on the celebrated Oxford Encyclopedia of Theatre and Performance, and covers styles and movements, organizations, regions and traditions; it has a particularly strong focus on biographies of actors, playwrights, directors, and designers. New entries cover the people and companies who have come into prominence since the publication of the Encyclopedia.
The Companion includes all the most popular and accessible information from the Encyclopedia, concentrating primarily on the personalities involved in producing threatre, as well as overviews of the genres within which they work. It has 2,400 entries presented in a far more compact and portable format. The timeline of historical and cultural events in the world of theatre and performance has been significantly updated, along with the extensive bibliography.
The Companion provides an informative and accessible package aimed at both the theatre-going public and at specialists and professionals in the field.
The Oxford Encyclopedia of Theatre and Performance Reference library
2004 Reference Reviews Top Ten Print Reference Source
2004 Choice Outstanding Academic Title
This encyclopedia provides authoritative and up-to-date information about theatre and performance from ancient Greek theatre to the latest developments in London, Paris, New York, and around the globe. In addition to performances in playhouses, it covers dance, opera, radio, film, television, and popular performance, including carnivals, circus, and public executions. Entries range from short definitions of terms to lengthy considerations of genres and movements, such as feminism and psychoanalytic criticism. Entries on cities and regions place performance in its local social and political context. Written in accessible language, this encyclopedia brings together an international cast of over 300 specialist contributors.