Brewer's Dictionary of Phrase & Fable (19 ed.) Reference library
Much loved for its wit and wisdom since 1870, Brewer’s Dictionary of Phrase and Fable takes you on a captivating adventure through its trademark blend of language, culture, myth and legend. As Susie Dent explains in the foreword, Brewer’s “is not a straightforward dictionary, nor is it an encyclopaedia. It is, in fact, unlike any other reference book that exists, anywhere.” This nineteenth edition encapsulates all the charm and wit that characterise its predecessors and maintains the standards of scholarship and eclecticism that have long been its hallmark.
Thoroughly updated with over 100 new and revised entries – think crowdsourcing, cyberpunk, iPad and mash-up – this unique resource is guaranteed to delight, entertain and inspire in the best Brewer’s tradition. Discover Brewer’s take on angels, heraldry, pub signs and recluses, and delve into the lexicographical world of the eggcorn. Whether you are a committed Brewerphile or a newcomer to its pages of fascinating entries, this edition will draw you in and keep you glued to its rich mix of eccentric nuggets.
A Dictionary of Critical Theory Quick reference
This is the most wide-ranging and up-to-date dictionary of critical theory available, covering the whole range of critical theory, including the Frankfurt school, cultural materialism, gender studies, literary theory, hermeneutics, historical materialism, and sociopolitical critical theory. Entries clearly explain even the most complex of theoretical discourses, such as Marxism, psychoanalysis, structuralism, deconstruction, and postmodernism. There are also biographies of important figures in the field, with feature entries for those who have heavily influenced areas of the discipline.
Covering all aspects of the subject from globalization and race studies, to queer theory and feminism, this multidisciplinary A-Z is essential for students of literary and cultural studies and is useful for anyone studying a humanity subject requiring a knowledge of theory.
The New Oxford Companion to Literature in French Reference library
‘a superb act of homage at a critical moment in French literary fortunes’, Observer
This Companion is a new and completely reconceived work, rather than a revision of the 1959 Oxford Companion to French Literature. As the change in title implies, it presents an authoritative guide not only to ten centuries of literature produced in the territory now called France, but also to the rich literary output of other French‐speaking countries around the world. Written by an international team of specialists, entries cover individual authors and works from the troubadours to Césaire, and from La Princesse de Clèves to La Vie mode d'emploi. Substantial essay‐entries reflect the latest scholarship on topics such as chivalry, Occupation and Resistance in wartime France, scholasticism, the sciences, literary movements and genres, as well as opera, cinema, and press.
Adventurous and wide‐ranging, The New Oxford Companion to Literature in French is an indispensable and hugely enjoyable reference work for all scholars, students and general readers.
The Oxford Companion to Chaucer Reference library
Written by an international team of scholars, the Oxford Companion to Chaucer provides a wealth of clear, up-to-date assessments on all aspects of Chaucer. Entries provide information on Chaucer's life and times, his works and the characteristics of them, his language and metre, his reading and the creative uses he made of it, and his major moral and literary themes. Extensive reference is also made to the development of critical opinion about his works over the centuries.
This Companion provides a fascinating and practical guide to Chaucer for readers at every level.
The Oxford Companion to Classical Literature (3 ed.) Reference library
‘a volume for all seasons... indispensable’—Times Educational Supplement
The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myth and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture.
Extensively revised and updated since the second edition was published in 1989, the Companion acknowledges changes in the focus of scholarship over the last twenty years, through the incorporation of a far larger number of thematic entries such as medicine, friendship, science, freedom (concept of), and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature; after all, for many aspects of classical society the literature we have inherited is the primary (and sometimes the only) source material. Additions and changes have been made taking into account the advice of teachers and lecturers in Classics, ensuring that current educational needs are catered for.
In addition to newly covered topics, the Companion still plays to its traditional strengths, with extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, encompassing everything in between; and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.
The Oxford Companion to Fairy Tales (2 ed.) Reference library
‘thoroughly researched, impartial, scholarly, wonderfully illustrated and enormous fun’ – The Independent on Sunday
Over 1,000 entries
This Companion is an authoritative reference source for the complex and captivating genre of the fairy tale. It provides full coverage of stories and characters, from Ali Baba, Aladdin, and Cinderella, to Hansel and Gretel, the Moomins, and Tom Thumb, along with the writers who wrote and reworked them, such as Hans Christian Andersen, Lewis Carroll, J. R. R. Tolkien, A. S. Byatt, and Gabriel García Márquez, and the artists who illustrated them, including Quentin Blake, Raymond Briggs, and Maurice Sendak. The Companion also examines related topics such as Disney, film, opera, science fiction, music, even advertising. Special survey articles explore the development of the fairy-tale tradition in individual countries, focusing particularly on the European and North American traditions.
Written by a team of over 70 specialist contributors from around the world, this is an essential companion for anyone interested in literature, film, or art, or for anyone who values the traditions of storytelling.
The Oxford Companion to Shakespeare (2 ed.) Reference library
‘A wonderful treasure-house of information and insight’ – Dame Judi Dench
Over 3,200 entries
From the conjectured identity of the Dark Lady of the Sonnets to the misprints in the First Folio, from Shakespeare’s favourite figures of speech to the staging of Othello in South Africa, a team of 100 internationally renowned scholars provides a lucid, stimulating, and authoritative guide to Shakespeare’s plays and poems, and their interpretation around the world over the last four centuries. Now revised and updated to commemorate the 400th anniversary of Shakespeare’s death, this much-loved Companion reflects developments and discoveries made in recent years as well as the performance, interpretation, and influence of Shakespeare’s works up to the present day.
The Oxford Encyclopedia of British Literature Reference library
2006 ALA/RUSA Best Reference
2006 Choice Outstanding Academic Title
2006 Booklist Editor's Choice
The Encyclopedia provides comprehensive coverage of literature from the Abbey Theatre to Israel Zangwill, covering the entire history of literature in the United Kingdom and the Republic of Ireland in the major literary languages (Anglo-Saxon, English, Welsh, Scots, Irish, and Latin). It includes substantial accounts of individual authors (e.g., Spenser, Pope, Austen) and detailed histories of particular themes, movements, genres, and institutions, whose impact upon the writing or the reading of literature was significant (e.g., The Stationers' Company, the sonnet, the ‘School of Night, ’ or the Sublime).
The Oxford Encyclopedia of Children's Literature Reference library
2006 ALA/RUSA Best Reference
2006 Booklist Editor's Choice
2006 Library Journal Best Reference
Written by an international roster of more than 300 authors, the Encyclopedia comprehensively documents and interprets the books read by children throughout the world. With a global perspective that pays attention to significant international trends and the multicultural expansion of the field, it includes brief biographies of every major author and illustrator. Also included are feature essays on all genres of children's literature, individual works, and prominent trends and themes, as well as general essays on the traditions of children's literature in many countries throughout the world.
The Oxford Guide to Literature in English Translation Reference library
‘This is an impressive volume which is an indispensable reference work for anybody who takes an interest in literary translation’, Perspectives: Studies in Translatology
Written by eminent scholars from many countries, this Guide highlights the place of translation in our culture, encouraging awareness of the process of translating and making the translator more visible. It covers translations out of many languages, from Greek to Korean, Swahili to Russian. For some works (e.g. Virgil's Aeneid) which have been much translated, the discussion is historical and critical; with less familiar literatures, the Guide examines the extent to which translation has done justice to the range of work available. It contains entries on individual texts (such as the Thousand and One Nights), writers (Ibsen or Proust), genres (Chinese poetry), or national literature (for example, Hungarian). These entries are complemented by more substantial essays on theoretical questions, a pioneering outline of the history of translation into English, and discussions of the problems raised by specific types of text (for example, poetry or oral literature).
Recent years have seen a boom in translation studies, and this is the first comprehensive guide to this essential element of literature in English.