Browse

Over 4,700 entries ...

The Benezit Dictionary of Asian Artists consists of more than 4,700 entries on Asian artists representing all regions of the continent, including the Middle East, and every era from antiquity to the present. The content is drawn from the most recent edition of the Benezit Dictionary of Artists (Editions Gründ, 2006), supplemented by fifty new entries on contemporary artists commissioned for this publication and over one hundred updated biographies.

Although most of the articles are on East Asian artists, primarily from China and Japan, the overall geographic and chronological scope is considerable, representing artists throughout the continent, and from ancient periods into the 21st century. This dictionary provides a compact, accessible collection of entries on Asian artists from ukiyo-e printmaker Hiroshige to Indian cubist painter Maqbool Fida Husain to Jin Dynasty painter Gu Kaizhi to Israeli artist Yaacov Agam. The artists specialize in a wide range of media, from calligraphy to performance art.

Entries provide concise narratives of artists’ careers, and many include bibliographies, exhibition histories, collection holdings, or auction records; additional entries are illustrated with images of artists’ signatures.

Over 3,200 entries ...

The Benezit Dictionary of British Graphic Artists and Illustrators features over three thousand entries on British artists, ranging from contemporary cartoonists to medieval manuscript illuminators. The majority of the content was chosen from the most recent edition of the Benezit Dictionary of Artists (Editions Gründ, 2006), with more than ninety revised entries and sixty new ones, primarily on 19th- and 20th-century artists.

This work provides a compact, accessible collection of entries on printmakers, poster artists, illustrators, cartoonists, calligraphers, and illuminators either native to or active in the United Kingdom from the Middle Ages to the present. The Dictionary is therefore an essential reference for the rich history of British printmaking—both fine art prints as well as works for mass print media—and artistic activities related to the production of manuscripts and printed books. Because of Benezit’s focus on European artists, particularly those active in the 18th, 19th, and 20th centuries, this collection provides excellent coverage of these media during their most significant periods of development.

Entries provide concise narratives of artists’ careers, and many include bibliographies, exhibition histories, collection holdings, or auction records; over 200 entries feature images of artists’ signatures and monograms.