The Oxford Dictionary of Plays (2 ed.) Quick reference
‘informative, illuminating, and helpful … a remarkable achievement’ – Michael Billington, The Guardian
Over 1,000 entries
Provides essential information on the best-known, best-loved, and most important plays in world theatre. Each entry includes details of the title, author, date of writing, date of first performance, genre, setting, and composition of cast; there is also a summary of the play's plot, and a brief commentary. Genres covered include: burlesque, comedy, farce, historical drama, kabuki, masque, melodrama, morality play, mystery play, No, romantic comedy, tragicomedy, satire, and tragedy. The perfect guide for students and scholars of drama and literature, theatre professionals, and directors looking for plays for performance.
An A-Z Guide to Shakespeare (2 ed.) Quick reference
Over 860 entries
Compiled by one of the best-known authorities on Shakespeare's works, this online-only dictionary offers up-to-date information on all aspects of Shakespeare in his own time and on his impact and influence on later ages. It includes entries on the plays and the major characters, on Shakespeare's life and his contemporaries, on actors from Richard Burbage to Judi Dench, on theatres and directors, plus comments on Shakespeare by later authors such as Jane Austen, Dr Johnson, and Bernard Levin.
The Oxford Companion to Theatre and Performance Reference library
This Oxford Companion is based on the celebrated Oxford Encyclopedia of Theatre and Performance, and covers styles and movements, organizations, regions and traditions; it has a particularly strong focus on biographies of actors, playwrights, directors, and designers. New entries cover the people and companies who have come into prominence since the publication of the Encyclopedia.
The Companion includes all the most popular and accessible information from the Encyclopedia, concentrating primarily on the personalities involved in producing threatre, as well as overviews of the genres within which they work. It has 2,400 entries presented in a far more compact and portable format. The timeline of historical and cultural events in the world of theatre and performance has been significantly updated, along with the extensive bibliography.
The Companion provides an informative and accessible package aimed at both the theatre-going public and at specialists and professionals in the field.
The International Encyclopedia of Dance Reference library
1998 Choice Outstanding Academic Book
1998 Library Journal Best Reference
1998 ALA/RUSA Outstanding Reference Source
With nearly 2,000 articles written by scholars from fifty countries, the Encyclopedia covers the full spectrum of dance—theatrical, ritual, dance-drama, folk, traditional, ethnic, and social dance. Cultural and national overviews are accompanied by entries on dance forms, music and costumes, performances, and biographies of dancers and choreographers.
The Concise Oxford Companion to the Theatre (2 ed.) Reference library
This concise version of the acclaimed Oxford Companion to the Theatre covers all aspects of theatre worldwide and throughout the ages. It contains entries on a vast range of theatrical styles, dramatists, performers, and directors, as well as information on theatres, festivals, and such technical topics as lighting, sound, and method acting. Entries on people and places include Athol Fugard, Anthony Hopkins, Glenda Jackson, Derek Jacobi, Harvey Fierstein, Helen Mirren, Trevor Nunn, Peter O'Toole, Willy Russell, and Stephen Sondheim, Barbican Theatre, The English Shakespeare Company, Michael Gambon, The Swan at Stratford, and the Shubert theatre in New York.
The Oxford Companion to the American Musical Reference library
‘Amazingly comprehensive and thoroughly researched, The Oxford Companion to the American Musical is a must for any theatre professional or theatre fan.’ Stephen Flaherty
With more than two thousand entries, this guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work - Babes in Toyland for example - as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners.
Dictionary Plus Performing Arts Quick reference
This dictionary comprises authoritative, highly accessible entries on styles, dramatists, performers, companies, and organizations related to the performing arts. These entries are supplementary to other performing arts titles in the Quick Reference collection, and are written by specialist authors. The dictionary is an ongoing project, and more entries will be added over time.
The Oxford Dictionary of Original Shakespearean Pronunciation Reference library
‘I've just had the most tremendous fun with the online platform for The Oxford Dictionary of Original Shakespearean Pronunciation. (...) The spoken words are clear and you can repeat them as often as you wish until you're happy with your own pronunciation.’ - The Bookbag
Over 20,000 entries
This dictionary is the first comprehensive description of Shakespearean original pronunciation (OP), enabling practitioners to answer any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and provides sound files as an additional aid to pronunciation. It details the main pronunciation evidence in the texts, notably all spelling variants and rhymes. An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions as well as other uses. It is an invaluable resource for producers, directors, actors, and others wishing to present Shakespeare's plays or poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.
The Continuum Companion to Twentieth Century Theatre Reference library
This exciting theatre companion, edited by a former literary manager of the Royal Shakespeare Company, includes over 2500 entries that range widely over theatre in the last century. It features not only exceptional scholarly entries, but a series of fascinating boxed essays written by active professional theatre insiders, including Arnold Wesker writing on playwriting, Ben Kingsley on preparing a part, and Daniel Massey on performing Shaw. The Companion is wide-ranging in geographical scope, with entries on “Portuguese-Speaking African Theatre” and “Arab Theatre”, as well as current, with entries on “Digital performance” and the “Internet”. This is a must-have resource for anyone interested in theatre, professionals, amateurs, and scholars alike.
The Oxford Encyclopedia of Theatre and Performance Reference library
2004 Reference Reviews Top Ten Print Reference Source
2004 Choice Outstanding Academic Title
This encyclopedia provides authoritative and up-to-date information about theatre and performance from ancient Greek theatre to the latest developments in London, Paris, New York, and around the globe. In addition to performances in playhouses, it covers dance, opera, radio, film, television, and popular performance, including carnivals, circus, and public executions. Entries range from short definitions of terms to lengthy considerations of genres and movements, such as feminism and psychoanalytic criticism. Entries on cities and regions place performance in its local social and political context. Written in accessible language, this encyclopedia brings together an international cast of over 300 specialist contributors.